I’ve been enjoying a stint of moon making over the past few months. Using relief shapes and eucalyptus bark dye to create ethereal moons on a dark background.
I use Australian 20 cent coins for mini moons, and metal coasters for larger moons. But you can use any flat circle that will survive a dye bath – it is best to stick with stainless steel, ceramic or wood circles.
Making moons is a great way to use up less interesting eco-prints. Patchy leaf prints can create beautiful moon textures:
You can also make shibori moons over naturally dyed fabric. Here I used coreopsis and marigold dye for yellow and madder for pink moons:
The live round of the Iso Dye Club has come to an end, although new students are still welcome to join and will be able to work through the ecourse at their own pace. It has been the most wonderful, inspiring whirlwind of an adventure. I feel so grateful to all the people who threw themselves into it with such enthusiasm and dedication, sharing their beautiful creations on Instagram and in our private group.
It has been such a good way to spend this quarantine/isolation time, hopefully for my students but also for me personally. I really appreciated staying busy, and feeling uplifted by everyone’s kind, supportive comments.
I’m also really glad that I offered it as ‘pay what you can’, to make it accessible to lots of people, especially at this time when so many of us are out of work or underemployed. Going forward, I want to bring this pricing model to more of my business, because it is a small way that I can help to create a more equitable world. Or as Charles Eisenstein puts it, The More Beautiful World Our Hearts Know Is Possible.
I want to share some of what we did in the course, because I really enjoyed creating simple lessons using materials that people would be able to access easily at home or in their neighbourhood, yet still get some stunning results. This craft doesn’t have to be complicated or precise. At it’s most basic, you just put leaves on paper or fabric, hold it together somehow and heat it up! And I encouraged everyone in the course to embrace the results they got, because sometimes in eco-printing, as in life, we don’t get what we expected and it can be very healing to learn to accept this.
Week 1: Rolled Bundles
For Week 1, we started with some simple rolled bundles, on both paper and fabric. We rolled around jars and cans – even rusty cans, if people were lucky enough to have these highly coveted, utterly magical eco-printing tools!
We used plain fabric and paper, to see how even the most simple technique could still give us some beautiful colours and patterns:
Week 2: Simple Homemade Mordants and Binders
In Week 2, we prepared our fabric and paper with homemade iron mordants and with protein binders (from kitchen scraps of yogurt, cow’s milk, nut milk or other protein-rich liquids). As well as leaves and flowers, I also demonstrated with some ingredients from the kitchen – onion skins, tea leaves and a sprinkling of turmeric – because some of the students were in isolation in apartments, or still emerging from the depths of winter. Here you can see the different colours and strength of results on plain cotton, and that prepared with a protein binder and iron mordant (from left to right).
Week 3: Folded Bundles
This week, we folded our paper and fabric and cooked them in dyebaths. On paper we experimented with creating different amounts of colour in the background. These bundles are both the same paper with the same leaves, cooked in the same dye bath, but I shared a simple trick for creating either dark or light backgrounds:
And on cotton, we created some shibori patterns around our leaf prints. This was one of my favourite lessons from the whole course. The leaves were eco-printed on fabric prepared with a simple yogurt binder, with a few tricks to get these vibrant results:
Week 4: Fun Things to do with Pale Results
When eco-printing, it is inevitable that some of your results will be pale or uninteresting. So we finished the course by exploring 3 ways to improve our pale prints. One option was to re-print the paper or fabric, with the addition of iron to bring out more colour and detail:
Another option was to draw over our paper eco-prints, either what we could see or what we could imagine. I shared some simple tips to encourage even the most reluctant artist to give it a try:
And we finished the course with a bonus lesson, because I wanted to thank everyone who was involved. So we used some of our pale fabric results to create some mini shibori moons:
This is another contender for my most favourite lesson. Sometimes the marks and leaf prints already on the fabric creates the most wonderful serendipitous results:
I hope you enjoyed this peek into the ecourse. If you are interested in joining us, I have left enrollments open because I want this course to be available to anyone who wants to be comforted or inspired by the magical combination of plants, creativity and community. Read more or join us here – the sliding scale starts at about the price of a coffee!
And whether you are enrolled in the course, or just enjoying this preview, I’d love to know which week or lesson is your favourite?!
This ecourse is a gentle introduction to natural dyeing and eco-printing techniques, for cotton and paper. The focus is on making do with what we have. Simple methods and simple materials. Finding joy in the process and in unexpected results.
It’s also a chance to slow down, to connect with plants and with fellow artists/makers in isolation. Creativity and nature ground me, especially in uncertain and changing times. I look forward to sharing this with you too.
We’ll be using kitchen scraps to make natural dyes and binders, and eco-printing on paper and fabric that we find around the house. Here’s some results on printer paper:
This is a bit different from my other courses, because I wanted to offer something more affordable, and more accessible to those of you who can’t access fancy materials or lots of plants at this time. So our results might be softer and simpler, but this feels like good medicine for these times.
The course is 4 weeks long, with 2 videos each week that cover both paper and fabric projects. There’s also a bonus video to get you started, about natural dyeing with easter eggs. Here’s a preview: